Showing posts with label textiles. Show all posts
Showing posts with label textiles. Show all posts

Thursday, November 24, 2011

Image of the Day

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Fragment of the original Star Spangled Banner, from Heritage Auctions' recent sale of Civil War memorabilia. The fragment was formerly in the possession of flag restorer Katherine Fowler Richey (1889-1949); her mother Amelia Fowler (1862-1923) was one of ten women who, for eight weeks, fastened the original Star Spangled Banner to a backing of linen using a stitch that Ms. Fowler patented in 1913.

I haven't bought anything from a Heritage auction yet but it's always interesting to see what they have on offer – click here to sign up for email updates.

Wednesday, November 16, 2011

Where You Stand

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Modest Mouse "Never-Ending Math Equation"
from
Sub Pop Singles Club 45, May 1998

(totally unrelated image: textile design by Alexander Girard, who I've been thinking about again lately)

Wednesday, September 14, 2011

Warp and Weft

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Weaver Dorothy Liebes photographed by Charles E. Steinheimer in her studio.

Reminds me of watching my mom work her loom when I was a kid.

View more photographs by Charles E. Steinheimer (and purchase prints) here.

Thursday, May 12, 2011

Image of the Day

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Louise Bourgeois: Untitled, 2005 (Fabric, 21 1/4 x 26 3/4 inches) from Louise Bourgeois: The Fabric Works at Cheim & Read today through June 25th.

Tuesday, November 23, 2010

Fabric Works

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Louise Bourgeois: The Fabric Works, at Hauser & Wirth Gallery in London, features four large-scale sculptures and over seventy of Bourgeois's "fabric drawings," made between 2002 and 2008 from clothing and other scraps accrued throughout her long and fruitful life.

Louise Bourgeois Untitled, 2007 (Fabric, 27 1/2 x 22")

Louise Bourgeois Untitled, 2006 (Fabric, 15 1/4 x 19 1/8")

Louise Bourgeois Untitled, 2006 (Fabric, 12 x 9")

Louise Bourgeois Untitled, 2005 (Fabric, 18 x 14")

Louise Bourgeois: The Fabric Works is up through December 18 – more images and info at Hauser & Wirth.

Installation view photos by Christopher Burke

Thursday, March 25, 2010

Mend & Measure

. Nicole Miller, owner of the Seattle shops Blackbird and Field House, is offering free Sunday classes on repairing clothing starting this weekend. Here's the description:
In the old U.S. Navy, sailors had one day a month called Mend & Measure where they were excused from their duties to launder and repair their clothes. Wouldn't it be great if times were different and this was a priority again?
Times is different and I think it's cool that someone in the business of selling clothing is also in the business of helping her customers maintain what they have. My best Filson coat has a bullet hole in it that needs to be repaired* and I can't make it to this Sunday's class but maybe I'll bring it in another weekend.

Click here for info.


*hole in coat possibly caused by evil moths

Tuesday, January 5, 2010

New New

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The Spring/Summer 2010 Balenciaga campaign by Steven Meisel and co. is really odd, but the color, texture, and shapes of the clothes are so nice, and the layout is so unusual and refreshing, I like it a lot. Balenciaga has had some great stripes and ski-influenced clothes since the '60s and there's also a kind of Africa + Anni Albers reference going on there, or something. Who knows. I dig it.

Wednesday, September 2, 2009

Image of the Day

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Lenore Tawney, a master weaver and early innovator in fiber arts, in 1959 (Photo by Yousuf Karsh). Tawney died in 2007 at the age of 100; Holland Cotter's obituary at The New York Times is an interesting read.

I have no particular reason for posting this, other than that I think it's a really cool photo, and my mom was a weaver for many years, so I have some extra interest. It's on the wall in the office.

The Naming of Things

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A spread from the Textile Brand Names Dictionary (1947), posted by Steven Heller at Design Observer along with a short essay entitled A Good Trademark: A Historical Perspective. It might sound boring but if you're the least bit interested in the process of naming a brand (Denicron, Glritone, Glossitwist, Ma-Tex, Perma-Fluff, Perma glaze, Permaglo, Permaset, Permoflex...), check it out.

Tuesday, July 21, 2009

Rivers Arms

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Photos of the temporary performance and installation Mater Matrix Mother and Medium, a collaboration between artist Mandy Greer, choreographer/dancer Zoe Scofield, and musician and friend of the P.S. Morgan Henderson (Blood Brothers, Past Lives).

Henderson and Scofield rehearse

From Mandy Greer's description of the project:
Mater Matrix Mother and Medium began with the creation of a 200 ft.- long fiber river, created in part through a series of over 30 community events all over Seattle, where I [Mandy Greer] taught anyone willing to learn, how to crochet. I then took the fiber “pools” into the forest of Camp Long and spent nearly six weeks on a ladder crocheting the river into the trees, flowing from 25 feet up in the tree canopy to nearly touching the forest floor.

When we arrived for the performance last Thursday evening in West Seattle, Zoe Scofield was totally obscured inside what looked like a gigantic ball of fabric and knots at the end of the crocheted river. As Morgan's music built – he played a variety of instruments, including the clarinet and a weird little megaphone contraption – she unwrapped herself and came alive in the woods.

If it sounds like some hippy stuff, well, so be it – but I found Mater Matrix Mother and Medium to be one of the more complex 'nature-inspired' works of art I've seen, and a beautiful piece in both vision and sound. It's up through the end of the month August 23rd at Camp Long (5200 35th Ave SW in West Seattle), and definitely worth the trip, even without the performance element.

More info here.

Friday, May 1, 2009

All The News That's Fit To Link

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Recently, as a cost-cutting measure, Emily and I have been considering scaling back our daily subscription to The New York Times to Sundays only. I'm not sure if it's because of that dim prospect or because the paper has just been extra good lately, but this week I have taken an extraordinary amount of enjoyment from reading the Times every morning. Today's was particularly genius. Here are some highlights:

Claudy Jongstra (Photo: Fred R. Conrad/The New York Times)

A review and a slideshow on Fashioning Felt, the new fabric design exhibition at the Cooper-Hewitt. It looks great, I hope to see it next time we're there. Coco Howard should be in this show.


Kenneth Paul Block

At Parsons there was a professor I particularly hated by the name of Hively. He was an asshole to everyone and he was full of shit, but he was right about one thing: I remember him saying that when you get a little older you read the obituaries with great interest. Today was a blockbuster in that department, with remembrances of renowned fashion illustrator Kenneth Paul Block and Manhattan Doll Surgeon Irving D. Chais.


A review of Pathways to Unknown Worlds: Sun Ra, El Saturn & Chicago’s Afro-Futurist Underground, 1954-68 at the Institute of Contemporary Art in Philadelphia. Another good reason to be in Philly right now.


Kate Gilmore (American, b. 1975).
Still from Blood from a Stone, 2009.

Ken Johnson reviews a new show at the Brooklyn Museum of Art that looks (maybe a little suprisingly) good: Reflections on the Electric Mirror: New Feminist Video.


There's a good article about shucking oysters at Hood Canal, with a slideshow. That's an hour and a half from my house, so suck it, everyone in New York.


The Nam June Paik archives go to the Smithsonian: "Clunky black-and-white television sets and 1960s record players; early video projectors and decades-old Polaroid cameras – things that were long ago relegated to the electronic graveyard – are precious and priceless in the world created by the artist Nam June Paik (1932-2006)."


There's a review of the new film about Miss Indigo Blue's Academy of Burlesque in Seattle, A Wink and a Smile . It's a little lukewarm, but hey, as WWWWD quotes, "Don't pay attention to what they write about you. Just measure it in inches."
[–Andy Warhol]


From David Brooks' op-ed: "Ben Franklin would take essays from The Spectator magazine and translate them into verse. Then he’d translate his verse back into prose and examine, sentence by sentence, where his essay was inferior to The Spectator’s original." Interesting.


And finally, a bunch of stuff about the Kentucky Derby.

Kentucky Derby favorite I Want Revenge, left
(John Sommers II/Reuters)


I don't think we're canceling that subscription quite yet.

Wednesday, February 18, 2009

Something Else / The Mind is a Muscle

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So, in addition to doing our taxes, Emily and I had a chance to race around town and see a bunch of different cool things in New York last week. One day we had lunch at The Modern (pictured above, one of my favorite spots in the whole city), and then spent the entire afternoon wandering around MoMA.

I never found out who the artist is, but this massive felt and fabric panel on the front of the museum reminded me a little of Coco Howard and Spencer Moody's show What We Do Is Also Secret, at VAIN gallery. (Not that they are that much alike, but the layers upon layers of textiles brought it to mind. The more I've thought about What We Do Is Also Secret – the installation part upstairs – the more mind-blowing it is. It's up through February 28th if you haven't seen it yet.)

Yvonne Rainier Trio A (The Mind is a Muscle, Part 1), Choreographed 1966 and performed 1978

There are a bunch of good shows up right now at MoMA. I mentioned Marlene Dumas and Vik Muniz previously, and this time around I was glad to spend some more time with the survey Here Is Every: Four Decades of Contemporary Art. Here are some pics, click to enlarge:

Detail from Bruce Nauman Cones Cojones 1973

Various books by Ed Ruscha

Annette Messager My Vows 1988–91

Detail from Annette Messager My Vows

Christopher Wool Untitled 1990

I have seen that last piece many times, but the violence it exudes – conveyed not only by the phrase itself but supported by the typography, composition, large size, and stark lack of color – never fails to shock.

More later.

Friday, January 23, 2009

Secret Meeting

This promises to be interesting, as anything affiliated with the Anne Bonny always is:

What We Do Is Also Secret: A needle-felted world
Installation by Coco Howard and Spencer Moody

At Vain, 2018 1st Avenue at Virginia, Seattle WA

Opening Saturday January 24th, 4pm–9pm

More info:
Vain
Soft Life Industry
The ol' Anne B.