




(Saccoccio's solo show at Eleven Rivington,
Portraits, is up through April 22).
Portraits, is up through April 22).
h/t Lily

Simian Mobile Disco "Seraphim" directed by Aoife McArdle from Unpatterns (May 2012, Wichita)
(via Stereogum)
Hans-Peter Feldmann (born 1941, Dusseldorf) rose to prominence in the early 1970s, earning worldwide acclaim for his expansive and encyclopaedic photographic series. Often presented in the form of books, posters, postcards and installations, these collections link Feldmann's life-long fascination with collecting elements of visual culture. . . .
Feldmann's appetite for amassing cultural artifacts is demonstrated in a new work presented for the first time at the Serpentine. The artist purchased a number of ladies' handbags along with their entire contents, filling museological vitrines with credit cards, mobile telephones and address books, making passing fashions and lifestyle choices the object of display and public discussion.
Dug the color, texture, and feeling of this photo by Pari Dukovic from a recent New York magazine slideshow.

Tomboy Style: Beyond the Boundaries of Fashion from pier pictures on Vimeo.
rizzoliusa.com
Meant to post this earlier, but now that the April issue has arrived I better hurry it up. I am obsessed with the styling for this story. It shouldn't all work together so seamlessly but it does; a perfect high-low mix. Jane How may just be my kindred spirit.





Karmen Pedaru shot by Mario Sorrenti
Cover of the catalog for the groundbreaking exhibition opening at the Met a month from today, Schiaparelli and Prada: Impossible Conversations. If you missed Judith Thurman's article "Radical Chic: Clothes on the Cutting Edge" in the New Yorker a few weeks back, I highly recommend it checking it out.Schiaparelli was thirty-seven and Prada was thirty-nine when they delivered their first collections. But experience of the real world, which was a man’s world for both of them, made them intolerant of female passivity and desperation. They don’t really care what makes a woman desirable to men. Their work asks you to consider what makes a woman desirable to herself.Visit newyorker.com for the whole article.
Maiyet SS12 | Daria Werbowy by Cass Bird from M A I Y E T on Vimeo. Music by Feist.



Maiyet.com

One of my most favorite of the many classic photographs by Arthur Tress, who I first learned of from a great show at Clampart back in 2003 or so. A new show at the De Young Museum, Arthur Tress: San Francisco 1964, exhibits seventy of his early photographs. Click here for a slideshow and short review by Ted Loos at the New York Times.