Speaking of Cass Bird: recently behind the lens for Maiyet's S/S 2012 campaign, featuring Daria Werbowy and shot at Floyd Bennett Field. Love the light.
Maiyet SS12 | Daria Werbowy by Cass Bird from M A I Y E T on Vimeo. Music by Feist.



Maiyet.com
Maiyet SS12 | Daria Werbowy by Cass Bird from M A I Y E T on Vimeo. Music by Feist.



Maiyet.com
A shot from the new Calvin Klein Spring/Summer 2012 campaign – Lara Stone by Mert Alas and Marcus Piggott. Cool concept and composition, amazing light, great clothes and styling.
While Deborah Turbeville does not consider herself a fashion photographer—she approaches the genre, she says, “with tongue in cheek”— she has taken some of the most memorable fashion pictures of the past thirty-five years. They have been influenced by filmmakers like Jean Cocteau, Jean Renoir, Alain Resnais and Andrej Tarkovsky who, she says, share her “obsession with style and atmosphere.” They also pay Proustian homage—ironic and nostalgic at the same time—to lost or fading aristocratic worlds. Turbeville and her longtime printer, Jean-Yves Noblet, scanned the negatives and Polaroids that they found “lying in a drawer” into a computer, she explains, with all of their scratches and “scars,” to produce the digital prints in her new book, “The Fashion Pictures,” and in her show at Staley-Wise, in SoHo.Subscribers can read the full article at newyorker.com and anyone can view a slideshow of select Deborah Turbeville photographs here.


I love the shadow and light in this Deborah Turville photograph, of models Zuzanna Bijoch, Maud Welzen, Bette Franke, and Fei Fei Sun, for an upcoming Valentino campaign.
Chloé Fall 1999 – Fernanda Tavares shot by Taryn Simon.
Cool-looking advertisement for Spoonbill Books, in the forthcoming 30th anniversary issue of BOMB Magazine. Spoonbill Books' website doesn't really match the ad but you can visit them in person at 218 Bedford Avenue in Brooklyn NY.
The smart lightness of this new Chloé campaign gives it a real-life feel – aspirational, but real. Once again, David Sims comes through.
Chloé has had some great campaigns over the years but this one ranks toward the top. More images here.
I love the simplicity of this Filippa K Fall/Winter campaign, shot by (you can almost guess from the color) Camilla Åkrans.
There is so much information overload all the time, it's nice to see ads that are quiet and minimal, but still with a mood and feeling. I know I'm somewhat repeating myself, I guess it's just something I'm thinking about a lot lately.
Shots from British designer Margarett Howell's Fall/Winter 2010 lookbook, styled and photographed by Venetia Scott. (Click to enlarge.)
Very simple but creates a mood and a story.Q: What kind of businesses is PARCO engaged in?Yes. Yes, it is.
A: We are a company that develops and manages urban shopping complexes. We employ “Total Producing Ability” which incorporates our wide-ranging expertise in the fields of marketing, planning, designing and management/operation of shopping complexes.
Q: Please tell me the origins of the PARCO corporate name.
A: “PARCO,” the corporate name, means “park” in Italian. A park is a place (or space) where lots of people can gather, where people can share time and space, and where people can relax and have fun. That’s also what "PARCO" is.
The new Alberta Ferretti campaign...

...a smart and timely concept, and beautifully timeless photos by who else but Paolo Roversi.
A preview of the YSL FW2010 campaign – Daria Werbowy by Inez van Lamsweerde and Vinoodh Matadin. I think the image might just be a snapshot of a proof (?) but I like how the shadows and folds make it seem vintage. (The photos and clothes are timeless.)
Cushnie et Ochs Fall/Winter 2010 campaign photos by Chadwick Tyler. I love how dark this is while at the same time capturing the great textures in the clothing. This is not an easy thing to do well with a camera and light.
See also:
I like the intensity of the red in this image from the new Givenchy campaign, especially in contrast with the background – an unexpected combo and a nice counterpoint to ubiquitous (and much-loved) camel and navy.
Kind of reminds me of Vincent Gallo's red boots in Buffalo 66. Photos by Mert Alas and Marcus Piggott.