Monday, June 16, 2008

Gasoline Alley

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This is from a series of photographs by Camilo José Vergara of abandoned gas stations. Click here for more (from The New York Times op-ed page Friday morning).

Unrelated, but the blog titles have to come from somewhere:
Biscuit Davis Gasoline Alley MP3
I found this record in Missoula last May. It's produced by Bob Thiele. I don't know much about it but apparently Biscuit Davis is now Dolly Parton's bandleader, and he was the national bluegrass banjo champion a few times. [I stand corrected. Thank you, smart guy commenter.]

Sunday, June 15, 2008

Brothers Gotta Hug

One Step Ahead


I'm cleaning out one of my 600 email accounts, taking a small step toward organizing my life, and I ran across this stop-motion movie from 2004. I often get the most enjoyment out of the lowest-tech ideas. Click here to watch.

Friday, June 13, 2008

Tim Russert

Unspeakably sad news for American journalism: Tim Russert has passed away of a heart attack at the age of 58. More here from The New York Times.

Whatever the fk I'm feeling at the moment

But first, two things I'm not fking feeling.

1. Fees for checking luggage on a fking aeroplane. Seriously? You already made the food so bad that we thought we didn't want it, and then you took the food away! Now you want to charge for people to bring stuff? All that's going to happen is that if you are not one of the first eight people to get on the plane, there will be nowhere to stow your carry-on luggage except under the seat in front of you. I am not a little dude and my legs already run the risk of deformity when I don't have a bag where the feet are supposed to go.

As you know, Pacific Standard is solution minded, so here's what should happen:

The FAA should regulate and standardize airfare so it more closely reflects the price of fuel. The cost of jet travel has not really gone up—and in many cases has gone down—since the early '90s, and paying more will sting badly. Luckily, the fact that the airlines will then be forced to compete in other ways, like by making their planes into gigantic, luxurious, open-bar flying fking cocktail lounges, will soothe the pain. And it might just force us to take a look at more green forms of long distance transit, such as trains, beaming up, etc.

2. John McCain. There have been times in the past when Senator McCain seemed like an acceptable Republican. He has reached across the aisle and seemed downright progressive in some instances. Those days are long gone. The incredible hawk side has fully taken over and each day seems to bring a new statement of incompetence and detachment as he outlines his plans for the White House. I will leave it to Keith Olbermann to explain. (Incidentally, I predict McCain will choose a running mate from the far right, allowing him to tack left a month or two before the election—as he did in New York yesterday—and try to restore his reputation as a moderate. A message to the disaffected Hillary supporters: don't believe it for one second. He is anti-choice, he is enthusiastically pro-war, he is incompetent on the economy, and possibly most importantly, he will be in the position to appoint more conservative justices to the Supreme Court. It is time for a new direction.)

Now on to some positive thinking with some things I am feeling.

1. Spoon The Ghost of You Lingers MP3 I realize I am literally one year late on this, but I have been playing this song over and over recently. It's like chopsticks on mushrooms or something and makes me imagine being in a dark old house. I can't explain why that is appealing to me, it's just a very visual song and I like it. In the '90s I spent a long time only listening to hip-hop and rare groove, and really skipped over a ton of other good music. As hip-hop has gone down hill, I've gone back to the way I was as a kid, listening to a ton of variety, catching up on what I missed in the '90s and buying as many new records as I do oldies. When I was growing up, there was a radio station in Seattle called KJET that played a little bit of everything. It was the first place I heard hip-hop, the first place I heard The B-52's, and The Clash, and various Martin Hannett productions and the Young Fresh Fellows. I split my radio time between KJET and my mom's station, KFOX, and the result was a massive variety of music and influences that I'm totally thankful for. So anyway, I never knew the band Spoon and kind of assumed they were one of those boring rock bands of the era, but I like this song and I'm getting into them.

2. The Safeway in downtown Bellevue. I am reminded of this building because my mom would go to the store and I would stay in the car and listen to the AM radio in our Toyota station wagon. I never appreciated the architecture but it's a pretty sweet, like a low-rider quonset hut. Photo courtesy of the amazing blog Vintage Seattle.

3. The Downhill Racer movie poster. I was reminded of this recently when Oakley Hall, the author and westerner who wrote the book the movie is based on, passed away. Honestly it's kind of a boring movie, but it's visually stunning. It's good to have a collection of movies you can watch with the sound off. Just looking at this poster makes me feel a few degrees cooler.

4. Mr. Littlejeans. We went to the vet yesterday and other than his morbid obesity, young Mr. Science is perfectly healthy. I was trying to find out if it would be okay for him to fly or if he would need to be driven across the country. (Driving it is.) I'm not sure if I explained this before here, but Littlejeans was born in the Bronx, and his first owner died when he was a kitten. As happens all too often in New York, no one discovered the body for a week, and when they removed it, they left Jeans in the apartment by himself for an entire additional week. You can understand how this might mess with the mind of a little kitten, and it also messed with his stomach. He can only eat certain kinds of extremely high fiber dry cat food. It's actually diet food, and we don't even feed him as much as they suggest, and his weight chart from the vet still looks like this:

Honestly, is that even a "chart?" It's just a big uphill line. At what point is information design not really necessary? I get it, he's fat. It's glandular. What.

He's just about the happiest cat I've ever known, though (we concur) it sucks to be fat and furry in the middle of a heat wave.

5. The 1973 Graphis Posters Annual Emily found in Sag Harbor last weekend. There's a bookstore there called Black Cat Books that has a really impressive, reasonably priced collection of photography and design books (we also picked up a book of Peter Lindbergh fashion photography, and Diana Vreeland's autobiography D.V.).

Thursday, June 12, 2008

Dive Bar Pirate

One more family-related post and then I'll return to my regular coverage of whatever the fk I'm feeling at the moment.

Today is my brother's birthday and he and I went out for some beers last night. The heatwave finally broke, so we walked from the Q at Union Square over to the Hudson to check out the Rusty Knot. The sun was going down and the far west side of Manhattan is a pretty nice place at that time of day.

One thing I will miss about the East when we move (and there are a lot of things on that list) is that the sunlight glistens in the humid air, and makes this really warm light at certain times of day.

The Rusty Knot, has a nautical dive bar "theme." This means it is full of people who would probably not go to nautical dive bars. There are plenty of those around the city:

Bait & Tackle, Red Hook

Sunny's, Red Hook

The Gowanus Yacht Club, Carroll Gardens (full of hipsters but the operation is essentially divey)

The Brooklyn Navy Yard Cocktail Lounge (admittedly, I have not yet ventured into the Brooklyn Navy Yard Cocktail Lounge, it's always been closed when I've walked by)

The Rusty Knot is not rusty in the least. It does have a lot of nice furniture and some cool model boats, one with windows that are lit from the inside. They also have these little mermaids that go on the cocktails. The food is supposed to be amazing (we weren't hungry at the time, but it looks great...there's a chicken liver and bacon sandwich on the menu). We stuck with Tecate, which they serve with lime juice and salt mixed in already.

We left when it started to get super crowded and (the bartender agreed with us) the douche factor was getting very very high. All in all not a bad place but you have to go early. I will be back for that sandwich, mark my words.

Next up we went to the Spotted Pig. There is some connection between the two bars—I think they share an owner or a chef. Emily and I went there on our anniversary a couple years ago and Jay-Z and Beyonch were at the next table (I think he's a part owner too). It was too crowded last night, so we went to our old stand-bys, WXOU Radio and then the Cowgirl Hall of Fame, finishing the night with some Hornitos, Frito pie and wingy.

Sky's promotion to the truck (the ladder), came through yesterday on his two-year anniversary with the FDNY, so we were also celebrating that. He will see a lot more fires now, and a lot less first-responder type stuff like car accidents, murders, heart attacks, suicides, ODs, etc. When you're a firefighter, that's what you want—you want to put out fires—so congrats and happy birthday to my little bro.

Wednesday, June 11, 2008

Nobody's Going to Explode

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Zach Galifianakis is in a new movie called Visioneers, premiering this week at the Seattle International Film Festival. It's directed by Brandon and Jared Drake, two brothers from Snoqualmie-WA who went to UCLA film school and made good. The film also stars Judy Greer (you may know her as George Bluth's secretary), Mia Maestro, James LeGros, and...the cast of "Almost Live?"



Click here to download a Quicktime version of the trailer, so you can watch it over and over again on your iPod while you ride the subway and think about your life.

More info at visioneersthemovie.com.

While we're at it, here's an interview with Zach Galifianakis on The Michael Showalter Showalter:


More of those here.

Tuesday, June 10, 2008

A Family Affair, Part Two

I'm starting to feel kind of uncreative compared to the rest of my family.

My stepmom Sybil Barney has an opening tonight in Seattle at Whimsy (5–9pm, 1535 14th Avenue at Pine). The layers upon layers in her abstractions are mesmerizing, reflecting (at least to me) the power of the water that is an ever present force in the PNW. (On that note, sorry about the weather there, but I would still probably trade our current 100º+humidity for some classic high overcast).

Looking to the Light (pictured above) and several other paintings will be up through June 20th.

Second, my dad has a major feature in the new issue of Fine WoodWorking, with expanded features on their website, mostly discussing the Biedermeier-style cabinet he made for the mystery novelist John Saul.

My dad has been making furniture for longer than I've been around and it's great to see him getting some much deserved press in recent years from the likes of Architectural Digest, Architectural Record, The Seattle Times and others. See more of his work at joelshepardfurniture.com.

Photography and stellar PR by Rebecca Nelson

Monday, June 9, 2008

Reflection Eternal

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Anne Christensen's T blog post on Anish Kapoor's show at Barbara Gladstone reminded me that I forgot to put up this picture of Emily and me, from when we saw the show a couple weeks ago. I didn't expect to like the show that much—I thought of it as a glorified funhouse mirror—but the reflections are constantly surprising, and like the Olafur Eliasson show at MOMA right now, there's something cool about experiencing an unusual space with a group of strangers.

Sunday, June 8, 2008

Island Letter

Emily's parents are visiting us from Idaho this week, and Friday through Sunday we went out to the Hamptons for the wedding of an old family friend. I didn't take pictures at the wedding but you can read about it at nytimes.com.

Here are some pictures from a day trip we took to Montauk:

These little guys are all over Long Island right now.

We stopped for clam strips and a beer on the side of the road.

The Montauk lighthouse is at the farthest eastern point of Long Island, which is the longest island in the continental USA. (The second longest is Whidbey Island.)

Friday, June 6, 2008

A Family Affair

Congratulations to my cousin Spenser!
He graduates from high school today. This makes me feel very old because I remember when he was about 1-inch tall, singing "Hip Hop Hooray" over and over again in our kitchen. Now every time I see him he's many inches taller and probably would not really be interested in singing "Hip Hop Hooray." Anyway, dude has pretty much always been the brightest light in the family both academically and athletically, and next fall he'll be heading across the country to Boston College to learn some more stuff and play baseball. Congratulations Spenser!

Wednesday, June 4, 2008

NW/NY 1: The Art of Noise

I first met Byron Kalet when he was our star design intern at Visionaire. He landed a full-time job there even before graduating from Parsons, but it was clear he had some weirder stuff up his sleeve as well, and it wasn't long before The Journal of Popular Noise was born. Billed as an "audio magazine inspired by the traditions of pop music, printed periodicals, and the delight of a finely crafted artifact," the semi-annual JPN comes in the form of a beautifully letter-pressed poster, folded into a square accordion formation that holds three 7" slabs of vinyl. The artists involved are given specific editorial guidelines before recording, and the finished sounds represent widely varied responses to that structure. The third edition (issues 7–9 – each record represents one issue) is out this week with contributions from Past Lives, Bora Yoon + Ben Frost, and Na + Junko (listen while you read: Past Lives All Is Well MP3). With release parties coming up in both Seattle (June 8) and Brooklyn (June 13) I figured I'd check in with Byron and see what's up.

Explain the origins of The Journal of Popular Noise.
It began as a culmination of several different ideas. First off it was a way for me to reconcile the ten+ years I spent playing music in Seattle with my new life here in NY as a graphic designer. In school I was leaning more and more into books and magazines, it occurred to me that all the same rules applied to designing a magazine as to composing a record. Some of my teachers would use “a great song” as a metaphor for a cool poster or something. But to me it wasn’t a metaphor, I could feel my brain doing the same thing with both outlets. So I wanted to see what would happen if I very overtly applied the magazine structure to making a record. Much to my surprise, it worked! Beyond that it became my outlet for all the stuff I was into; from quasi-scientific Muzak diagrams to John Cage scores; Ultra-thin-sans-type kerned absurdly close to rigid swiss-modern grid systems. The whole folding-paper thing was a fluke.

How do you go about picking contributors?
I started out by asking my friends and the people I grew up playing music with. I grew up with so many amazing talented people that even if I didn’t grow up with them, they would still be on my list. But for the first one it was less “who do I want” and more ”who can I convince to participate in this hair-brained scheme.” I’m still putting out my friends' records, but now its getting to be friends of friends, serendipitous connections. The network is branching out but I want to keep it
community based. I think its better that way, it will be a long time before I cold call someone to be a part of this.

Who would your dream contributors be?
As far as musicians, I would love Brian Eno or Kraftwerk, Stockhausen, Cage, et al. Really all the people that inspired me to explore new ways of looking at and making music. I’ve been harassing Miranda July to do one. I really want to expand into other realms of sound art beyond music, I really want to do a melodramatic Radio Play with Phillip Seymour Hoffman and Christopher Walken...

What else are you listening to?
This winter I got really into some of the big UK electro stuff, Simian Mobile Disco (contributing to Spring/Summer '09!) and Hot Chip (working on it). Other than that I’ve been getting back into a lot of early '80s hardcore. Minor Threat will never get old to me, D.R.I., Bad Brains, Black Flag...I just saw Negative Approach a few weeks back. There’s a cool new hardcore band out of Oly called Sex Vid. But mostly I stick to the classics.

The JPN reminds me of Fluxus. Is that a connection you're consciously aware of?
Sort of, it was one of those things that I was reading about in school along with all the other stuff I mentioned earlier (Cage, Reich, Eno, Schaffer, The Barons, Stockhausen ) but I much more consciously drew from Muzak, I’m obsessed with Muzak. I wrote a paper about it in school, I could go off for hours, but I’ll restrain myself here.

Who or what are your design influences (both for the Journal and personally) and what other publications do you like?
Ugh, unfortunately I spend way more of my time making magazines than reading them these days. I tried reading Wooooo but it was gross. I’m really obsessed with Tron right now, the
Truckasauras record art I just finished draws heavily from it. I rabidly consumed all the classic graphic design stuff in college, so now I’m trying to look elsewhere for inspiration. I went to a lecture on particle physics last Friday that was really great. I’m not sure how that will apply to design but one day something may occur to me. And old stuff is always cool, I spend a lot of time in thrift stores whenever I go home, I’ve always found a lot of inspiration there.
You grew up in the Northwest and obviously retain a connection to it—in a way it's like New York is big on design and Seattle is big on music. How does that influence your outlook?
Well one thing that I think is really great about the JPN it is that it helps me stay connected to my friends out there. The release party in Seattle is actually a co-release with another record I’m putting out by
Truckasauras (their debut release Tea Parties, Guns & Valor, in collaboration with Fourthcity Records). I went to junior high with half the guys in Past Lives and ALL the guys in Truckasauras, as well as our Associate Editor Daniel Mitha. This is the first show those guys have all played together since the talent show in the Kirkland Junior High cafeteria. It feels really good to me to be releasing both of these new bands' first records. It’s a really rare gift to still be able to continue working with these rad people after all this time. I usually describe Seattle as being consistent and sedimentary (sometimes as an insult, sometimes as a compliment) but the idea of staying rooted both in an idea and a community seems to be a developing theme with the Journal.

What's next for ol' Byron Kalet?
Once the release parties are behind me I’m just gonna sit back and watch the money roll in. I really want to take some time off (and by take time off that just means I don’t do any work outside of the normal 50+ hours a week at Visionaire). I need to spend some time taking things in, listening to records, reading magazines, looking at art. But I’ll most likely end up continuing to spend all my time making them instead. Could be worse.
The new issue of The Journal of Popular Noise is available at Opening Ceremony, Printed Matter, Sonic Boom, Wall of Sound and a bunch of other stores (complete list here) or online at popularnoise.net.

Click here for info on the release parties (Sunday June 8th at Nectar in Seattle, and Thursday June 12th at Listen:Space in Brooklyn).

Tuesday, June 3, 2008

The Shadow Knows

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One more thing about MOMA: I'm blown away by the photography section every time I go. They change it up regularly, so even if you go often, you always see something different from the permanent collection. They often display selections from a photographer's work that call out a certain theme or make for an interesting grouping—for example, last weekend they had a bunch of Lee Friedlander's self-portraits, and a selection of post-depression photographs by Dorothea Lange, which you usually don't see much. And then there was this:

New Acquisition: Ninety-two untitled photographs by unknown photographers in which the photographer's shadow appears. c.1900—70 (Gift of Jeffrey Fraenkel)

Here are some of the individual photos:

The sun had to be GIGANTIC behind the photographer for the shadows to fall the way they do in this photo.

Damn it feels good to be a gangster, c.1930?

And, of course, pictures of cars.


More of the MOMA photography collection at moma.org.

Monday, June 2, 2008

Bo Diddley, 1928–2008


I kind of hate it when blogs become all obituary all the time, but damn, Bo Diddley and Yves Saint Laurent in the same day?

Tomorrow Pacific Standard returns to its regular position as the life-affirming blog of this young millennium. Today any self-respecting chronicle of pretty pictures and gritty records must also include some memorials.

I will not even attempt to detail Bo Diddley's stack of achievements here (practically invented rock 'n roll, opened for The Clash on their first US tour...). The New York Times' obituary department, working overtime, does a great job once again.

Bo Diddley Hit or Miss mp3

Yves Saint Laurent, 1936–2008


Yves Saint Laurent was arguably the first designer to fully embrace Modernism in fashion, all the while retaining the details of classic couture that kept his work as feminine and glamorous as it was forward-thinking.

The New York Times has a good audio slideshow by fashion critic Cathy Horyn, in addition to its obituary. Click here to check it out.