Showing posts with label records. Show all posts
Showing posts with label records. Show all posts

Sunday, November 27, 2011

Sunday Morning

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New series on Pacific Standard: one record every Sunday morning. First up, some cuts from The Emotions' heavily sampled second album for Volt Records, Untouched (1971), produced by David Porter and Isaac Hayes, among others.


The Emotions "Blind Alley"


The Emotions "If You Think It (You May As Well Do It)"


The Emotions "Show Me How"

Monday, October 31, 2011

Evolving

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Dennis Coffey & the Detroit Guitar Band "Scorpio" (45 version) from Evolution (1971, Sussex Records)

[Completely unrelated photo: my dad, my brother (with giant Shogun warrior locked and loaded) and me prepare to eat lobster under the grape arbor on our patio for my dad's birthday circa 1983? Photo by my mom]

Friday, September 30, 2011

Sylvia Robinson

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Kind of a controversial figure depending on who you ask, but no one would argue her influence on hip-hop, being the founder of Sugarhill Records. She died yesterday at the age of 75.


Sugarhill Gang "Rapper's Delight" (1979, Sugar Hill 12")
It's not what the song is known for but I could listen to the intro on loop for about three days.


Robinson had a bunch of hits of her own and with the duo Mickey & Sylvia, but to me she's most significant for the labels she founded with her husband Joe and the talent they engendered. Here are a few favorites from All Platinum Records, the label they founded before Sugar Hill.


Willie & the Mighty Magnificents "Funky 8 Corners Pt. 2" (1969, All Platinum 7")


Retta Young "Sending Out and S.O.S." (1975, All Platinum 7"). What can I say, I like those little telegraph beeps.


Wood, Brass & Steel "My Lady" from Wood, Brass & Steel (1976, Turbo Records, a subsidiary of All Platinum). Wood Brass & Steel was basically the backing band for the Sugarhill Gang – before samples the labels would hire bands to play music for MCs to rap over. The double-snare in this song kind of kills me.


I think Sylvia Robinson may have also co-founded Stang Records, which deserves its own post. Read the New York Times' obituary here.

Wednesday, September 21, 2011

Exorcising

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Natural Gas "The All Powerful Man" from Natural Gas (1969, Firebird). A semi-cheesy piece of Canadian psych/fusion/prog that for some odd reason has been stuck in my head for the past couple weeks (primarily the breakdown starting at 2:46).

I picked this copy up on a roadtrip through Halifax. Anyway, like I say, kind of cheesy but a pretty listenable album and I recommend picking it up if you find it.

Monday, September 19, 2011

Need vs. Want

Crosley Spinnerette turntable, $150 at Dijital Fix. It plays and digitizes, and looks cool across the room from your Olivetti Valentine. Kind of Need but mostly just Want.

(via New York magazine)

Wednesday, June 15, 2011

Coming to Flex

.Front and back cover of the forthcoming Flexions LP Golden Fjord, designed for the newly-minted Cairo Records by yours truly.

The album is out August 2nd and in addition to band members Robin Stein, Devin Welch, and Tyler Swan, also features Margaret Jones and Morgan Henderson (Fleet Foxes, Past Lives, Blood Brothers, and, perhaps most importantly, Mt. Henderson).

Here's the first video, by Chris Ando and the homey Robert M. Wolfe, who is best known for design work with Wavves and Best Coast:


Flexions play at the Wildrose on July 9th and the release party is August 5th at Chop Suey. Mark them calendars. More info here.

Thursday, January 20, 2011

Brothers Gotta Hug

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A new Women song?! This is potentially great news – maybe they don't hate each other after all.



From a split 7″ with Friendo, Fair Ohs + Cold Pumas available from Faux Discx.

(via Suspence x Gorilla vs. Bear)

Tuesday, November 30, 2010

4:11 PM

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Souls of Mischief "93 'til Infinity"
from 93 'til Infinity (Jive, 1993)


There's a big dancehall on the floors below our studio, and when the classes get going in the afternoon, an unpredictable cavalcade of music comes through the walls. Right now they're inexplicably playing Souls of Mischief (warming up the soundsystem maybe). Hearing "93 'til Infinity" always brings back memories of when I was starting to DJ and dig for records all the time, and had a radio show on KUGS in Bellingham.
The Flavor magazine (before I started working there) ran a feature on Souls of Mischief which I read on a Greyhound bus ride back to Seattle one weekend. Their first album is great and has stood the test of time (maybe more beat-wise than lyrically). Either way, a classic.

Bonus cut, posting of which at this point does not count as snitchin' in my humble opinion:


Billy Cobham "Heather" from Crosswinds (Atlantic, 1974) – found at Cellophane Square, Bellingham, WA, 1993.

Friday, October 8, 2010

Sequels

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For whatever reason, in collecting old records, as I somewhat continue to do, I often gravitate toward soundtracks. I picked up a few recently and present them here for your viewing and listening pleasure.

They Call Me Mister Tibbs – 1970 sequel to In The Heat of the Night (click here for the trailer)


Quincy Jones "Call Me Mister Tibbs"

In Like Flint – 1967 sequel to Our Man Flint. (trailer)


Jerry Goldsmith "In Like Flint"

Emmanuelle 2 – 1976 sequel to, um, Emmanuelle (boring but just to be consistent: trailer)


Francis Lai "Les Fantasmes d'Emmanuelle"

Friday, September 24, 2010

Image of the Day

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Jeroen Diepenmaat: Pour des dents d'un blanc éclatant et saines, 2005. (Record players, vinyl records, taxidermied birds, and sound. Dimensions variable.) From The Record: Contemporary Art and Vinyl, an exhibition exploring "the culture of vinyl records within the history of contemporary art" – through February 6, 2011 at the Nasher Museum of Art, Duke University. Artists exhibited include Laurie Anderson, David Byrne, Jasper Johns, Christian Marclay, Mingering Mike, Dario Robleto, Ed Ruscha, Malick Sidibe, Carrie Mae Weems, and many more. Info and images here.

Friday, September 17, 2010

Records I Own Only For the Cover

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Another intermittent series on ye olde blog.

I've been doing some weeding of the collection recently. As much as the music on these is unremarkable or bad, I have to keep them for the covers alone.

Plus, who knows, I might listen to them another time and like them.

Imagine the horror if I thought "what I really need right now is some soul sauce," only to realize that I had given that record away on some forgotten whim. Unacceptable.

Or what happens if I'm feelin' saxy and I can't find my Herb Larson record, because I gave it away, just because it's horrible? Do you think Herb Larson would do that to you?

Exactly.

Wednesday, September 1, 2010

Need vs. Want

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I'm not sure where to find it but I have always wanted a shirt like the one Lalo Schifrin is wearing on the front of Medical Center (I believe this is called Swiss dot or dotted Swiss). Need.

Thursday, August 12, 2010

Hip Drop

Friday, April 30, 2010

Thursday, April 29, 2010

Op Tape

. William Furlong interviewing Philip Glass for Audio Arts, ca.1982

There's a great article in this morning's
New York Times on William Furlong, who in London in the early-'70s founded Audio Arts – a cassette periodical consisting entirely of his conversations with artists, minor and major, old and new. “It was quite a revolutionary piece of kit,” he says of these magazines in cassette form. "If you put it in the post, it could be in the United States in two days or all the way to Australia in three or four. In some ways it did feel like the Internet of its day.”

Furlong produced Audio Arts for over thirty years, and at its high-point circulation reached into the thousands. But for being what the Tate Museum describes in the article as "the most comprehensive collection of artists' voices in the world," it remained an obscurity, known to only those who knew. Luckily for the rest of us, the Tate acquired the magazine's entire archive in 2004, and now Phaidon will publish transcripts of some of the best of Furlong's interviews in a new book, Speaking of Art.

Read the Times article and hear some
Audio Arts excerpts (Damien Hirst, James Rosenquist, Shirin Nashat) at nytimes.com. Much more, in both audio and transcript form, can be found at tate.org.

In the '80s, William Furlong also produced a number of records, consisting of sound collages more than actual interviews.

I don't have any of them but I'll be on the hunt.
[LP image via
Continuo.]

Friday, April 16, 2010

Paper of Record

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Tomorrow is RECORD STORE DAY 2010. If you have a chance, you might consider heading down to your favorite local purveyor(s) of analog audio goodness to pick up releases produced exclusively for the event. Hit up recordstoreday.com for participating stores.

This year for RSD, Light In The Attic is releasing a special Rodriguez gatefold 7" (which I designed). You can't tell from the image but the type and the frame around the photo are silver foil-stamped.

We also did issue No.2 of the Light In The Attic zine. It's 7" square with a cover illustration of Kris Kristofferson by Drew Christie. The page-count is a little lower than issue No. 1, but it's jam-packed with useful info:

Emily interviews Betty Davis about her modeling career and status as a fashion icon (more about that in a later post).

Charles Peterson talks to Jini Dellacio about her photographs of legendary Northwest garage bands such as The Sonics and The Wailers.

Andy Beta interviews Miss Jane B. about her time with Serge Gainsbourg and what that was like. Light In The Attic has a couple Jane Birkin projects coming up that I'm way psyched about.

Kris Kristofferson and Charlie Louvin have a quick convo about old-time country and being, you know, legends.

There's also an excerpt from Andria Lisle's liner notes for the forthcoming Jim Sullivan release, and articles on or by Lou Bond, Gabor Szabo, Rodriguez, Kearney Barton, and more.

So: look out for that at your local record store tomorrow, and enjoy your weekend.

Wednesday, February 24, 2010

Image of the Day

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Record grooves as seen through an electron microscope.

[ via
LineOut ]

Wednesday, February 10, 2010

Zut Alors!

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The Quarterly Disorderly is moving to Bastille!

Come to Ballard next Tuesday night!
If you live in Ballard: stay in Ballard next Tuesday night!
I'm playing records (French and otherwise) with Matthew, Spyridon and Alex again for the third installment in our occasional old-guy DJ series. This time it's in the back bar at Bastille. Here are the details:

TUESDAY FEBRUARY 16, 2010
After work, 6pm-11pm

BASTILLE
5307 Ballard Ave NW - Seattle WA
No cover charge, great drinks and snacks, rustically chic atmosphere. You'll fit right in – see you there.

Friday, January 29, 2010

Your Weekly Mr. Littlejeans

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Hey dad, hey dad-

Yep, what's up Jeans.

Play my song again!

Again?!


Ah yeah, again and again!

Rodney O & Joe Cooley Everlasting Bass mp3
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Saturday, January 9, 2010

Fresh Out of Idaho

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It may be true that the best things in life aren't things, but records don't count. Here's a little playlist of some joints I picked up during our recent trip to Moscow.

*Fresh Borstal mp3

Outlaw Blues Band Deep Gully mp3

*Jane Birkin & Serge Gainsbourg Je T'aime Moi Non Plus mp3

Steven Halpern Taurus mp3

Jimmy Heath Smilin' Billy mp3

*Gas Mask Refugee mp3

Cold Crush Bros vs. Fantastic Freaks Basketball Throwdown mp3

7th Wonder Daisy Lady mp3

Henry "Buzz" Glass Come Play the Stick Game mp3

*Henry Mancini Police Woman mp3

*Kid Dynamite Uphill Piece of Mind mp3

L.A. Sounds Hangin' On the Telephone mp3

Romeo Void Never Say Never mp3
The Osmonds My Drum mp3

The Bob Seger System Doctor Fine mp3

Whitewater G Minor Breakdown mp3

The Wailers Seattle mp3

*Peggy Lee Sittin' On the Dock of the Bay mp3

Double Trouble Stoop Rap mp3

*
Duplicates, so if anyone needs 'em, let me know and maybe we can work out a trade.

(Click the images to enlarge.)