Friday, December 17, 2010

Dirty Thirty

Clips and ads from the very first issue of BOMB magazine, which celebrates its 30th anniversary this coming Spring.

BOMB became a fixture in the No Wave scene when it began publishing in 1981, and has continued to evolve as a vital outlet for artists and writers in the decades since.

I always find it interesting to see who advertises in early issues of a magazine – sometimes it reflects the scene as much as the editorial content. The Mudd Club and The Odeon were kind of the epicenter at that time. (The Odeon is still very good – Emily and I used to go there sometimes after parties.)





See the whole first issue here and infinitely more from BOMB at bombsite.com.

Incidentally, while we're at it: you can save 50% on gift subscriptions to BOMB through the end of the year (enter the code Gift2010) or get a BOMB t-shirt and subscription for only $30. I don't get paid for this stuff or anything, I'm just saying, those are good deals.

Thursday, December 16, 2010

Image of the Day

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Photographer's studio over a boat house, Stoney Lake, Ontario, designed by gh3 architects (Pat Hanson and Diana Gerrard). Click here for info and many more photos.

(via Wallpaper* magazine)

Variety

. Filmmaker Blake Edwards, who died last night at the age of 88, directed a ton of movies – some classic and some fairly forgettable, but all (at least all that I've seen) redeeming in some way. Here's the trailer for one of the best:


Breakfast At Tiffany's
(1961)

And here's the final clip from S.O.B., a less-classic but nonetheless enjoyable and funny Edwards film starring his wife Julie Andrews, along with a bunch of other recognizable people (including – fashion trivia alert! – Marisa Berenson).


S.O.B. (1981)

I think a Blake Edwards film festival is definitely in order.

Click here to read film critic A.O. Scott's remembrance at The
New York Times.

Best Foot Forward

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Haider Ackermann Tobacco Runway Boot,
$1,337 at
Mona Moore


Wednesday, December 15, 2010

Design Literacy

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A 1968 issue of The New York Free Press, art directed by Steven Heller when he
was 17 years-old (image via an article on Heller by Paula Scher for AIGA)

Steven Heller has written 135 books on design. He founded the Design Criticism program at SVA and currently acts as co-chair of the MFA Designer as Author Department. Among other jobs, he writes the "Visuals" column for the New York Times Book Review, which I generally tear out and read twice when it runs. Heller was an art director at the Times for 33 years, following various stints such as art director and designer of U&lc, Screw, and Interview. I'm not sure there is anyone else out there who can tie so many references together – high and low and everything in between – in the pursuit of understanding design. As far as I'm concerned, the dude is a national treasure.

In a new audio interview with Debbie Milman at Design Observer, Heller discusses "his new book, Pop: How Graphic Design Shapes Popular Culture, blogging from the bathroom, Christmas in New York, working with Patti Smith, Screw magazine, Paul Rand's tombstone, creating graduate programs and, of course, writing."

Click here to listen and visit hellerbooks.com for more.

Image of the Day

Tony Smith: Asteriskos, 1968 (Cast bronze, black patina, 16.5" x 16.5" x 16.5"). Tony Smith: Bronze is on view at Matthew Marks Gallery in New York through December 23. More images and info here.

Tuesday, December 14, 2010

Image of the Day

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A cool-looking structure/monument to the Oregon Trail we saw on our way to Boise, Idaho, to Emily's brother's house, over Thanksgiving.

Bonus pics!

Early Oregonians: not known for their hospitality.

Hal's Hamburgers in Pendleton.

Road through the Blue Mountains.

Places and Spaces

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A week ago yesterday, this year's Turner Prize winner was announced from among the four finalists: sound installation artist Susan Philipsz.

I'm inexplicably happy that this was the selection. I love the way Philipsz' work seems intent on allowing us to experience our material surroundings in a way that is sharpened and transformed, creating moments of beauty and transcendence in unexpected settings. I feel like the world could use a little more of that right about now.

Philipsz' winning entry, Lowlands, consisted of a voice recording of the artist singing a 16th-century lament for a drowned lover, originally played beneath three bridges over the River Clyde in Glasgow. A rough cut of the video that was submitted to the Turner Prize Committee is below.



Here is part of what The Guardian's Adrian Searle has to say about Philipsz:
[T]he way Philipsz sites recordings of her voice is as much to do with place as sound. She has haunted the Clyde and filled her box-like Turner installation with the ballad Lowlands; she has called across a lake in Germany and had her voice swept away by the wind on a Folkestone headland.

Her current Artangel project, Surround Me, insinuates itself down alleys and courtyards in the City of London, her voice like an Elizabethan ghost, singing melancholy works by John Dowland and other 16th and 17th century composers. I have stood in shadowy old courtyards and between gleaming office blocks, weeping as I listen. And how many artists can you say that about?

Her sense of place, and space, memory and presence reminds me, weirdly, of the sculptor Richard Serra at his best. Her art makes you think of your place in the world, and opens you up to your feelings.

And Everything is Going Fine

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Trailer for And Everything Is Going Fine, a new documentary on Spalding Gray by Steven Soderbergh, using excerpts from Gray's monologues to piece together his life story. (Read reviews at NPR and the New York Times.)

I remember my dad taking my brother and me to see Swimming to Cambodia in the theater when it came out. Not a normal thing for teenage boys but we thoroughly enjoyed it.

Many years later I was on a photoshoot in Sag Harbor for Martha Stewart Living magazine. I was the editorial assistant of the crafts department and I was driving the van. I went to the grocery store to buy some stuff for lunch and Spalding Gray was there. I don't get that jazzed up over celebrity sightings but I vividly remember sharing a produce department with Spalding Gray.

Monday, December 13, 2010

Words and Verbs

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A discerning audience ... an audience with a high level of connoisseurship, is as important to the culture as artists. It's exactly as important.

--Fran Lebowitz in Public Speaking.

Image of the Day

. Robert Rauschenberg: Palladian Xmas (Spread), 1980 (Solvent transfer, acrylic, fabric and collage on wood panel, 74.25 x 133.75 x 7.5 inches).

Still great, still surprising when you look closely.

Through January 15 at
Gagosian.
More images here / Holland Cotter's review here.

Harmony Club

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More jealous-making home photos from Thursday's New York Times: In 2000, industrial designer David Hurlbut bought the 20,000 square-foot Harmony Club – an abandoned Selma, Alabama social club built by Jewish businessmen in 1909, boarded up and abandoned since 1960 – for just under $100,000.

"'For 40 years,'" Hurlbut says, "'this place was a glorious pigeon coop and rat motel.'" Ten years, a ton of work, and around $150k later, it's his glorious and gigantic home.

Read about it, see a slideshow, and dream big here.

Photos Robert Rausch for The New York Times

Friday, December 10, 2010

Visitor

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Been awhile since I posted any of these. Here are some relatively recent ones. Click images to enlarge / click here to view all.













Image of the Day

. Tilda Swinton photographed by Sølve Sundsbø, for a portfolio of actors from the year's best movies, in this coming Sunday's New York Times Magazine. Slideshow here / video here.

I WANT YOU wants you

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Our friends at the Seattle-based design studio Dumb Eyes have set up a Kickstarter account to help fund their magazine I WANT YOU. In case you don't remember it or never knew it, I WANT YOU comes out roughly twice a year and features up-and-coming artists, designers, photographers, and creative people from all over the world. If you can find it in your heart or your wallet (I realize I am channeling Sonny from the F train right now) to give as little as $1 or as much as you can muster, it will help them publish their next issue. The last one came with a 7" by Shabazz Palaces so god knows what they have in store for the next. They're getting pretty close to their $2000 goal so every little bit counts – click here to help fund the next issue of I WANT YOU.

Public Listening

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This trailer doesn't come close to doing it justice, but two nights ago we watched Public Speaking, Martin Scorsese's HBO documentary on Fran Lebowitz, and it's the best thing I've seen on TV in quite awhile.

Thursday, December 9, 2010

Best Foot Forward

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LL Bean knit wool slipper socks, $29.95.

I actually think they look kind of cool when Em wears them around the house with high-cuffed jeans. Warm and good for much-needed couch time.

6:18 AM

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Band of Horses "The First Song"
from Everything All The Time (
Sub Pop, 2006)


This coming Friday, December 10, Ben Bridwell and members of Band of Horses will play a show at the Pour House in Charleston, SC, with Holopaw opening. Proceeds benefit the Andy Kotowicz Family Foundation. If you're anywhere remotely nearby, get your tickets here.

(Photo: Seattle from our apartment, before the sun came up, Monday morning)

Wednesday, December 8, 2010

Our Friends

and Emily

Before we resume
our somewhat regular posting habits, we wanted to take a moment to thank everyone who has commented, emailed, called, or spoken with us in person about Littlejeans. He has been with us for over ten years and dealing with his absence is extremely difficult – but your kind words have meant so much and are making it a far less lonely experience.

In posting "Your Weekly Mr. Littlejeans" over the past few years, we hoped to bring a bit of the Jeans greatness to our friends, near and far, and to reflect on the joy that living with little animals (or, um, medium-sized animals) can bring to all of our lives. We thank you for all of the love and attention for our favorite buddy, and we know that if Jeans were here, he would want to thank you himself in his own special ways. Thank you.

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Monday, December 6, 2010

Our Friend, Mr. Littlejeans

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After battling lung cancer for over two years I am sad to report that Mr. Littlejeans died last night. He had been getting around just fine and being his usual weird and lovable self but over the past several days his condition quickly worsened, and he was having a hard time moving much without triggering uncontrollable coughing spells, leaving him completely exhausted. Saturday night he slept, as he always has, on Emily's pillow, hugging her head. When I got up in the morning, he woke up as he always does and meowed at me – he always seemed so excited to get up in the morning and follow me around the apartment. He couldn't do that yesterday – we knew things were getting worse and discussed the possibility of having him put down so as not to prolong his suffering. Jeans was a very dignified cat and he would not have wanted to lose control of himself or become someone different because of his sickness. In the end we didn't have to do that – he died on his own. We are thankful that he went quickly without much suffering.

I know a lot of people might not understand this about a cat, but our friends, and friends of the blog, know what a difficult loss this is for us. Jeans has been with us through everything.

We got him in 1999 not long after we moved to New York. Emily had started law school and was spending long hours studying in our dark Hell's Kitchen apartment, and we thought a cat would be a nice companion. We could not have been more right about that.

He was born in the Bronx and when he was a kitten, his first owner died. The body was not discovered for a week or so, at which time it was removed – but Jeans was left there alone, to fend for himself. A week later, someone heard him meowing behind the door and got the super to let her in.

He ended up at an animal shelter down the street from us on 9th Avenue. He was sick when we got him but he recovered quickly. He never did get over the stomach problems we think were formed from his early life in the Bx (no vet ever figured out why he continued to gain weight, even on the diet food prescribed to him).

Without going into every last detail of his life I will just say that Jeans always seemed to consider himself an equal – he actively wanted to be around us as much as possible and we were always glad he was. He moved with us from Hell's Kitchen to Carroll Gardens (shaking all over as we crossed the Brooklyn Bridge in a cab); four years later he moved with us to Fort Greene, where he experienced the wilds of our small backyard. Four years after that, he sat between my brother and me in his favorite "Smile Face" box as we drove a moving truck across the country to Seattle.

We have just been through so much with him, it is hard to imagine life without him now. I know that sounds dramatic and I know everything will get back to normal, but for now we are just sad that our friend is gone.

More pictures of the Jeans here.