.
I don’t care about someone being intelligent; any situation between people, when they are really human with each other, produces “intelligence.”
—Susan Sontag, from the forthcoming book As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980, edited by David Rieff.
(via South Willard)
Showing posts with label susan sontag. Show all posts
Showing posts with label susan sontag. Show all posts
Tuesday, April 3, 2012
Wednesday, June 2, 2010
Image of the Day
Posted by
Emily
.
Susan Sontag at a symposium at the
Darius Ogden Mills House No. 1 (now The Atrium)
on Bleecker Street, NYC, 1962.
Photo by former Village Voice photographer Fred W. McDarrah.
I've always loved this image for some reason.
Susan Sontag at a symposium at theDarius Ogden Mills House No. 1 (now The Atrium)
on Bleecker Street, NYC, 1962.
Photo by former Village Voice photographer Fred W. McDarrah.
I've always loved this image for some reason.
Click for more:
fred mcdarrah,
image of the day,
photography,
susan sontag
Friday, September 4, 2009
Words & Verbs
Posted by
Strath
.
I've been reading these books off and on over the last few months and I'm planning to finish them this weekend:
I can't recommend Photography After Frank highly enough. Philip Gefter was a photography critic at The New York Times for many years and was also the art director responsible for picking the main front-page image for the paper everyday; he has an extraordinary knowledge of photography from a multitude of angles. I've been plodding along slowly with this book because I'm trying to write down the name of every photographer he mentions and research the ones I don't know. Read a good review at The Year In Pictures and buy it directly from Aperture.
Susan Sontag's On Photography is kind of the classic in the field and I'm just now getting around to reading it. It's a little stinging in parts because she makes some sharp psychological observations about this desire/need that certain people (ahem) have to, uh, document everything. That she was writing long before cell phones, digital photography, and the web makes them all the more true now. Still, I'm finding that it makes me look at photography in different ways and I appreciate that.
I wonder if all art directors secretly want to be photographers.
I've been reading these books off and on over the last few months and I'm planning to finish them this weekend:
I can't recommend Photography After Frank highly enough. Philip Gefter was a photography critic at The New York Times for many years and was also the art director responsible for picking the main front-page image for the paper everyday; he has an extraordinary knowledge of photography from a multitude of angles. I've been plodding along slowly with this book because I'm trying to write down the name of every photographer he mentions and research the ones I don't know. Read a good review at The Year In Pictures and buy it directly from Aperture.
Susan Sontag's On Photography is kind of the classic in the field and I'm just now getting around to reading it. It's a little stinging in parts because she makes some sharp psychological observations about this desire/need that certain people (ahem) have to, uh, document everything. That she was writing long before cell phones, digital photography, and the web makes them all the more true now. Still, I'm finding that it makes me look at photography in different ways and I appreciate that.I wonder if all art directors secretly want to be photographers.
Click for more:
aperture,
books,
philip gefter,
photography,
robert frank,
susan sontag
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