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GAAG: The Guerrilla Art Action Group, 1969-1976: A Selection, first published by Printed Matter in 1978, and now back in print. From the press release:

The book serves as the primary text to the significant work of the activist artist group GAAG (Jon Hendricks, Poppy Johnson, Silvianna, Joanne Stamerra, Virginia Toche and Jean Toche), both as a document of the group’s ideological and logistical concerns, and more broadly as a historical record for 52 of the many political art actions they carried out through the late Sixties and early Seventies.

Guided by their belief that art and culture had been corrupted by profit and private interest, GAAG formed in October 1969 as a platform for social struggle. Their work asked how artists could work effectively towards meaningful change, most often through direct provocation and confrontation—symbolic, non-violent actions staged in protest and ridicule of the ethical failures by the art and media establishments, as well as the US government. Their activities defied the brutal, close-minded workings of an artistic/political system that traded in dirty money, served the elite, established a trivial cultural canon, and perpetuated bloody wars abroad.

GAAG: The Guerrilla Art Action Group, 1969-1976: A Selection collects the manifestos, letters and press communiqués issued by the group to Nixon, Hoover, The Secretary of Defense, museum officials, and others. Their missives are printed as facsimiles, alongside other print material, including handwritten expenses, and related documents, that stand as statements of purpose and protest. Photographers Ka Kwong Hui, Joanne Stamerra, Jan Van Raay and others were often on hand as many of the actions unfolded, offering a remarkable and candid visual history to the group’s activities and confrontations.

Perhaps best known of the group’s actions is the unsanctioned 1969 event in The Museum of Modern Art, sometimes referred to as “Blood Bath.” Members of the group—Hendricks, Johnson, Silvianna and Jean Toche—gathered in the museum lobby, threw manifestos in the air, ripped each other’s clothing, spilling animal blood hidden beneath, while moaning and screaming. They dropped to the floor, writhing in the blood and manifestos as visitors and guards stood by. After the action, they got up and abruptly left the museum without addressing anyone. The manifestos demanded the resignation of the all the Rockefellers from the MoMA Board, and made clear the financial ties of the Rockefellers to the Standard Oil Corporation and McDonnell Aircraft Corporation, both then involved in weapons production for the Vietnam War.

Get more info and order the book here.