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Kleenex (aka LiLiPUT) "Ain't You" from LiLiPUT (1978, Sunshine; 1982, Rough Trade), re-issued awhile back by Kill Rock Stars.
Cassie Ramone (Vivian Girls, The Babies) is installing an aisle of Walgreen's - not a realistic, actual aisle, but rather a "super-aisle" filled with products sold at big-name drugstores that she's attracted to. So far, items for inspiration are: boxes of hair dye, waxing/hair removal products, fake nails/eyelashes, Hanes t-shirts and underwear, condoms, cosmetics aisle items such as lipstick and nail polish, chapstick, the magazine rack, Ziploc bags, As Seen On TV products, fungal cream, wrist braces, and surely there will be many more to come. Thick lines on the wall to represent "shelves" and on pricing- the pieces will be determined by moving the decimal point on the actual product over one (if a box of hair dye is $8.99 the piece will be $89).Plus: after party with The Pharmacy, Cassie Ramone, TacocaT, Battle Stations. More info and additional greatness at CMRTYZ.
Gollancz (1893-1967) studied the classics at Oxford University and during World War I began his life in publishing when he joined Ernest Benn’s firm … recruiting writers [such as] Edith Nesbit and H. G. Wells. In 1927, he set up his own publishing house and his career took off. [Among others,] he signed George Orwell, Ford Madox FordDaphne Du Maurier.
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Gollancz was ahead of this time. He placed full-page adverts for his books in newspapers (very rare for this period) and his designers established a recognizable style featuring powerful typography and yellow dust jackets. Gollancz was creating ‘branding’ 50 years before marketers embraced the buzzword.
In 1936, Gollancz was a co-founder of the Left Book Club with the intention of halting the growth of Fascism in Europe and promoting socialism. Every month, Gollancz recommended a left-leaning book and members received the book for a discounted price of two shillings and six pence. The first selection was France Today and the People's Front by Maurice Thorez, a French Communist. The Left Book Club had 45,000 members within 12 months and hundreds of local groups met and debated the books up and down Britain.
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The publisher was knighted in 1965.
I cut out a lot, but the point, to make a long story short, is that Victor Gollancz was quite an interesting dude. Visit abebooks.com to learn more about him and browse.
For the first time, Donovan determines a composition prior to the work’s creation and brings it into realization through mark-making within the self-defined parameters of a traditional picture plane. The optical effect—a visual field with shifting viewpoints—is central, underlining and expanding upon a concept that has defined much of the artist’s installation and sculptural work.
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In [Jonathan T.D.] Neil’s catalogue essay [Neil] relates Donovan’s new work to psychologist James J. Gibson’s mid-twentieth century theories on the “ecological approach” to the study of vision. . . . Donovan’s new drawings, Neil proposes, reposition perceptual experience (both literally and figuratively) at the forefront of visual concern in the digital era[:] . . . “we could say that nature is still at stake in these works[;] it is the nature of human perceptual experience, an experience that is undergoing a massive reshaping at present, all at the hands, or rather through the inhuman eye, of a screen.”