Apropos of this and this:
Darius Kinsey: Cedar Stump House, Edgecombe, WA, 1901.
With his hands in his pockets and his pockets in his pants.
Eirik Johnson: Scrapped train, Arlington, Washington, from Sawdust Mountain – Johnson's series of photographs exploring man's impact on the Northwest's natural environment. A selection of photographs from the series is on view at the Henry Art Gallery (opening party tonight!) and a book is available from Aperture:
I just wanted to take a quick break from all the chicness and other items of interest to let readers know about a product that has changed my life, and I'm not even kidding: Tabasco Brand Smoked Chipotle Pepper Sauce is, in my opinion, the best and most versatile hot sauce on the market. It goes on everything: toast, eggs, hashbrowns, sandwich, meats, broccoli, cauliflower, mussels, piece of cheese, iceberg wedge with blue cheese, bloody maria, michelada, mussels, a cracker. I like a wide variety of hot sauces but this is the ruler of them all. The McIlhenny Family of Avery Island, Louisiana should feel very proud because its packaging is well-designed and its products, especially this one, are so exceedingly good that they only need to be marketed on the merits. I am considering rigging up a special pocket in my pants so I can bring a bottle with me wherever I go. You should go get some too. Do it immediately. Put it on your lunch. Thank me later.
A 1936 stainless steel Ford concept car, at the Antique Automobile Club of America’s Eastern Division National Fall Meet, earlier this month in Hershey, PA. Photo Richard S. Chang from an article at The New York Times.
Celine by Phoebe Philo, SS2010
Matchbooks from the collection of Bill Retskin, founder of the American Matchcover Collecting Club, in Asheville, NC. Retskin has over one million matchbooks in his collection, and one gigantic blunt slicing thumbnail. Photo Rebecca D'Angelo/NYT.
All of that to say that the article is worth reading – click here to check it out. And why don't we all please make a concerted effort to start asking for matchbooks so they stick around and/or come back.
Frank Lloyd Wright's drawings of The Solomon R. Guggenheim Museum, which celebrates its 50th anniversary tomorrow, October 21st.
The Arnold children of Michigan Hill, Thurston County, Western Washington, August 1939. The oldest boy earned the money to buy his bicycle. Photograph by Dorothea Lange. Of Walker Evans, the preeminent American documentarian, with whose work Lange’s would be constantly—and nearly always unfavorably—compared, she claimed, “He doesn’t go any closer than just so far . . . which can be a man’s strength.” By contrast, she said of herself, “I can never go close enough . . . I push close. It’s right for me.” Lange cast herself and Evans as representing the outer markers of documentary photography: Where Evans was detached, indifferent, even unfeeling, she was engaged, politically and emotionally, with her subjects, evincing her own, very different kind of strength....And:
Linda Gordon’s biography Dorothea Lange: A Life Beyond Limits...emphasizes the similarity of Lange to the responsible historian: Both produce representations that aspire to accuracy but acknowledge the inherent limitations of that pursuit. The available choices in cropping, posing, emphasis, and scale are not, Gordon claims, “so different from historians’ decisions in writing books or lesson plans.” Even in Lange’s most penetrating portraits, Gordon postulates, there remains an impervious stratum that prevents complete understanding, an outer shell that protects the agency of even the abject sitter. As close as Lange might “push,” her pictures never presume to know the entirety of what they show. And this, to Gordon’s mind, is one of the great strengths of the photographs, for it demonstrates that Lange’s notion of the documentary mode was self-critical and democratic, rejecting the fantasy of omniscience and embracing the sanctity of privacy available to even the wretched among us.Visit bookforum.com to read the whole thing (free registration required). The two books reviewed (click for more info) are Daring to Look: Dorothea Lange's Photographs and Reports from the Field, by Anne Whiston Spirn, and Dorothea Lange: A Life Beyond Limits, by Linda Gordon. Might have to pick those up.
The issue of T that came with yesterday's New York Times featured a great interview with Samantha Morton, of whom I'm a huge fan. Here's a video interview to go with it, part of T's "Screen Test" series: