Paper of Record

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Tomorrow is RECORD STORE DAY 2010. If you have a chance, you might consider heading down to your favorite local purveyor(s) of analog audio goodness to pick up releases produced exclusively for the event. Hit up recordstoreday.com for participating stores.

This year for RSD, Light In The Attic is releasing a special Rodriguez gatefold 7" (which I designed). You can't tell from the image but the type and the frame around the photo are silver foil-stamped.

We also did issue No.2 of the Light In The Attic zine. It's 7" square with a cover illustration of Kris Kristofferson by Drew Christie. The page-count is a little lower than issue No. 1, but it's jam-packed with useful info:

Emily interviews Betty Davis about her modeling career and status as a fashion icon (more about that in a later post).

Charles Peterson talks to Jini Dellacio about her photographs of legendary Northwest garage bands such as The Sonics and The Wailers.

Andy Beta interviews Miss Jane B. about her time with Serge Gainsbourg and what that was like. Light In The Attic has a couple Jane Birkin projects coming up that I'm way psyched about.

Kris Kristofferson and Charlie Louvin have a quick convo about old-time country and being, you know, legends.

There's also an excerpt from Andria Lisle's liner notes for the forthcoming Jim Sullivan release, and articles on or by Lou Bond, Gabor Szabo, Rodriguez, Kearney Barton, and more.

So: look out for that at your local record store tomorrow, and enjoy your weekend.

Serve the Servants

.Layout by yours truly from an article on Kurt Cobain, with photography by Charles Peterson, in VMAN magazine

During one of my frequent visits to Best Of recently I read that curator Michael Darling, who curated Target Practice last year at the Seattle Art Museum, has a new exhibition going up at SAM this May called Kurt.

Grunge music is arguably Seattle’s greatest cultural export of the past 20 years, and Kurt Cobain was that movement’s central figure. The historical impact of Kurt Cobain cannot be denied or overestimated. During and after his brief career—which came to a premature end in 1993—his life and work have reverberated across the globe. Kurt celebrates that influence, in particular the effect he had on the creative lives and thought processes of artists.

Kurt Cobain symbolized the ideals, aspirations and disappointments of the ’90s generation, and a diverse array of artists have incorporated his image into their work to comment on those issues. International in scope, the works on view in Kurt range from straightforward portraiture to pieces that show a more subtle assimilation of Cobain’s ethos and idealism in a broad range of media. With works from the early 1990s to the present, by artists such as Rodney Graham, Douglas Gordon and Elizabeth Peyton, among others, this exhibition will cause viewers to question why and how Kurt’s visage and his gestures came to mean so much to a generation.

I don't care how cynical you are – you will want to get down off your bar stool at the Comet and march your Pumas downtown for this. It will undoubtedly include some great work, and some not-bad-meaning-bad-but-bad-meaning-genius work.

Another thing I find interesting about it: museums are constantly trying to find new ways to pack people in, and SAM, for its very survival, needs downtown tourists to stop on by during the summer. What better way to attract people than to embrace that most stereotypically Seattle topic? A lot of great artists have addressed Kurt in their work, so it's win/win. A show of this nature has a chance to find that perfect middle ground between the commercial and critical needs of the museum.

Info at sam.org.