Showing posts with label chad vangaalen. Show all posts
Showing posts with label chad vangaalen. Show all posts

Tuesday, October 18, 2011

On the Town

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Some quick weekend snaps...

Chad VanGaalen at the Sunset Tavern in Ballard

BOO HOO by Theresa

Dalen rocking shit on the turntables at Twinline Motorcycles party

Wu-Tang x Wooooo Magazine pumpkin by yours truly. (New issue of Wooooo out now with James Franco on the cover... one of the more brilliantly designed magazines I've ever seen.)

Jamie and Annie at Twinline

Jamie's brilliant kitty-cat pumpkin

Jamie and Emily (yes I'm on Instagram now though I don't really know how to use it)

Flowers Emily got me when I came back from New York



Friday, October 14, 2011

In a Thick Way

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Chad VanGaalen "Red Hot Drops" from Skelliconnection (2006, Flemish Eye/Sub Pop).

Lots of great shows in Seattle tonight – Gang Gang Dance with Stephanie at Neumos, Pica Beats at the Comet, the list goes on – but I'm a huge fan of Chad VanGaalen and have never seen him live, so we're heading for the
Sunset.

Tuesday, May 17, 2011

Ecosystems

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Chad VanGaalen "Peace On the Rise" from Diaper Island (Sub Pop, 2011). One of my favorite currently-working artists, both as a producer and musician.

Friday, October 29, 2010

More Women

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Design on the front of a Women t-shirt available from Flemish Eye Records, $20.

Women played a phenomenal show at the Vera Project in Seattle a couple nights ago to a crowd of about 30 people. My level of appreciation of their second album, Public Strain, is reaching semi-obsession – I was saying to my brother that if I listen to one of the songs by itself I feel like I'm cheating the rest of the album out of its cohesiveness. It's like playing Jenga, The Ultimate Stacking Game©, with songs. I still do it – I listened to "Eyesore" about 8 times yesterday – but the point is that the album holds together so well as a whole that if you have time to listen to the entire thing, it's a very full experience.


Public Strain is out now – get it at your local record store, or directly from Jagjaguwar or Flemish Eye.

...
Update:
OH NO! From Pitchfork:
Women Cancels Tour After Clashing Onstage

Tuesday, September 28, 2010

Public Strain

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My two favorite albums of the year (thus far) are in stores today, and not a moment too soon. I have been listening to both over the past several weeks of summer and in doing so have at times felt like a goth kid on the beach. Now that darker times are upon us, I feel fine.

First up: Public Strain, the second album by Women, again produced by genius Calgary resident Chad VanGaalen. It's basically a pop album covered in layers and layers of rust and moss and fog to the point that some new system of topographic contours are formed. I recommend taking it in as a whole (something I don't do much lately), however, the final cut, "Eyesore," is especially worthy of note. The way it builds from about 3:23 on and then resolves itself (resolves the whole album, really) basically expresses to me in music the pain and beauty and ultimate acceptance of being alive... I don't mind telling you. (Listening to this song makes me think of what Jack Kerouac wrote about Robert Frank's The Americans: "After seeing these pictures you end up finally not knowing whether a jukebox is sadder than a coffin.")

Women Eyesore mp3 – more info at Jagjaguwar
and Flemish Eye

Next: Everything In Between, the third album by Los Angeles California band No Age. I'm pretty much open to whatever they want to do at this point (which is another way of saying that some of the time I am a fan more in theory than in practice*) but I was pleasantly surprised by the thorough catchiness of this record. The noise is still there but it seems more structured and sometimes it's more quiet and focused noise. Here's one favorite of many:

No Age Glitter mp3
– more info at Sub Pop

Anyway, thankfully I am not under pressure to write coherent record reviews anymore, but those are two albums I would recommend picking up this fine Tuesday afternoon.


*A fan more in theory than in practice: by this I mean that if a person sets up a system by which they make their artwork or design, such as, say, modernism, you might respect the system and often be completely enthralled with the outcome, while not necessarily personally connecting with it. Other times, you might thoroughly connect with the outcome on a soul level, and then be doubly pleased by both the individual thing and its place in the system.

Wednesday, May 19, 2010

9:08 AM

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Chad VanGaalen "Clinically Dead"
from
Infiniheart (2005, Sub Pop)
see also